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Michelangelo and the Sistine Chapel, by Andrew Graham-Dixon
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You cannot stand underneath the masterwork that is the Sistine Chapel without considering the genius and painstaking work that went into its creation. Michelangelo Buonarroti never wanted to paint the Sistine Chapel, though. Appointed by the temperamental Julius II, Michelangelo believed the suspiciously large-scale project to be a plot for failure conspired by his rivals and the "Warrior Pope." After all, Michelangelo was not a painter—he was a sculptor. The noble artist reluctantly took on the daunting task that would damage his neck, back, and eyes (if you have ever strained to admire the real thing, you know). Andrew Graham-Dixon tells the story behind the famous painted ceiling over which the great artist painfully toiled for four long years.
Linking Michelangelo's personal life to his work on the Sistine Chapel, Graham-Dixon describes Michelangelo's unique depiction of the Book of Genesis, tackles ambiguities in the work, and details the painstaking work that went into Michelangelo's magnificent creation. Complete with rich, full-color illustrations and Graham-Dixon's articulate narrative, Michelangelo and the Sistine Chapel is an indispensable and significant piece of art criticism. It humanizes this heavenly masterpiece in a way that every art enthusiast, student, and professional can understand and appreciate.
- Sales Rank: #1312243 in Books
- Brand: Brand: Skyhorse Publishing
- Published on: 2009-02-02
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x 6.40" w x 6.00" l, 1.03 pounds
- Binding: Hardcover
- 240 pages
- Used Book in Good Condition
From School Library Journal
Graham-Dixon, former art critic for the Independent, brings to the fore the greatest achievement of the genius who perhaps best deserves the designation Renaissance man. After a short biography of Michelangelo up to his reluctant acceptance of the pope's commission, Graham-Dixon analyzes the masterpiece itself. He excels at contextualization, appropriately calling the chapel "a simple rectangular building" and making plain how the artist strongly insisted he was a sculptor, not a painter of frescoes. The figures created in this hallowed space are nearly as sculptural as anything truly in the round, a fact the author emphasizes. Graham-Dixon is adept at analyzing the pictorial scheme in its entirety and interpreting the dozens of individual sections of the ceiling's barrel vault. He has managed to resurrect, in an attenuated scholarly nugget, the popular appeal of this great and beloved landmark of the Western world. A focused and instructive read, this refreshing look at a familiar topic should attract a wide readership.—Douglas F. Smith, Berkeley P.L., CA
Copyright � Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Review
“Graham-Dixon depicts a wonderfully strange man and his strangely wonderful masterpiece.”—Observer
"Graham-Dixon offers an arresting interpretation of the ceiling."—Guardian
About the Author
Andrew Graham-Dixon has presented six landmark series on art for the BBC, including the acclaimed A History of British Art, Renaissance and Art of Eternity, as well as numerous individual documentaries on art and artists. For more than twenty years he has published a weekly column on art, first in the Independent and, more recently, in the Sunday Telegraph. He has written a number of acclaimed books, on subjects ranging from medieval painting and sculpture to the art of the present, including Caravaggio: A Life Sacred and Profane,�Art: The Definitive Visual Guide, and Michelangelo and the Sistine Chapel.
Most helpful customer reviews
11 of 12 people found the following review helpful.
Simply the best
By Bubbles1
This book is truly well written accompanied with fantastic photos from the sistine chapel.
I found it easy to follow and I only wish I purchased the book before I went to Italy last year.
The details were exquisite and I highly recommend this book to anyone who intends to visit the
sistine chapel or those who are interested in great artist like Michaelangelo.
19 of 19 people found the following review helpful.
Enlightening
By Thomas Grover
Very easy and interesting read. I visited the Sistine Chapel a few years back but was unable to learn much as to the meaning of each of the paintings on the ceiling. The tour guide was knowledgeable enough for a quick tour but I wanted to know more. This book delivers.
The author shares what Michelangelo told friends and biographers as to the meanings of the various paintings.The author also shares with his readers how the ceiling was viewed at the time of its unveiling by the artists contemporaries.
This is not a dry, boring read, and I would recommend it to anyone traveling to Rome who plans on visiting the Sistine Chapel, or who just wants to know more about the artist and his greatest work outside of his sculpting.
23 of 25 people found the following review helpful.
Michelangelo is Magnificent - and so is this book!
By Richard Masloski
There have been many, many books written about this subject - as well there should be! Some have been very good, many quite boringly bad, others just off-the-wall in their alleged revelations of obscure, arcane Da Vinci-type "codes" hidden in the paintings. So I bought the hardcover edition of this book with some trepidation, wondering what else was there to be said about the most famous ceiling in world. Having just finished reading this book, I can simply say that it truly isn't WHAT you do, it is HOW you do it. And Andrew Graham-Dixon has DONE it, admirably, wonderfully. His book is clear, concise, perfectly ilustrated - and it is also, by my lights, the best and most poetic description of Michelangelo's glorious ceiling ever written. I'll go even further: what the Maestro put on the ceiling in paints, this author puts into this book in words! One example may suffice: in discussing the fresco entitled The Deluge (depicting Noah and the survivors of the Great Flood) Mr. Graham-Dixon poetically points out the unique composition wherein half the fresco is crowded with human misery and the other half is virtually blank with calm but deadly and steadily rising waters. He concludes his insightful description and commentary on this compositional disparity with a summation of Michelangelo's apparent artistic intent - and that is to show that "The world is a picture that God can unpaint at any moment." What a line! An aphorism in and of itself. These types of rich and extremely well-worded interpretations fill the deceptively slim volume. Reading this book, one feels as if they were seeing the ceiling paintings for the first time.
The book also details Michelangelo's entire life in, again, the same pointed, poetic manner. Mr. Graham-Dixon even does a Joe Friday in sticking to "just the facts" when discussing Michelangelo's much debated sexuality. In two short pages, the author succinctly argues the case against the popular belief that the artist was homosexual. It would not have mattered if he were - but it is this type of clear-headed research and writing that makes this book so profound and so thrilling to read.
I was sorry when the book ended. It's that good!
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