Minggu, 24 Februari 2013

[K446.Ebook] Ebook Download Overcoming Compulsive Hoarding: Why You Save and How You Can Stop, by Jerome Bubrick, Fugen Neziroglu, Jose Yaryura-Tobias

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Overcoming Compulsive Hoarding: Why You Save and How You Can Stop, by Jerome Bubrick, Fugen Neziroglu, Jose Yaryura-Tobias

Although the much-satirized image of a house overflowing with National Geographics and infested with cats may make us chuckle, the reality of compulsive hoarding is no laughing matter. The most common reason for evictions in the US and a significant risk factor for fatal house fires, compulsive hoarding is a treatable condition related to obsessive-compulsive disorder. It is characterized by the acquisition of possessions that have little or no value, which the sufferer, often referred to as the saver, has great difficulty discarding.

This book, the first ever written for savers and their families, provides an overview of compulsive hoarding and how it relates to obsessive-compulsive disorder. It discusses hoarding broadly, offering readers perspectives on the physical, behavioral, and value-oriented aspects of the condition. You can use its assessment tools to help decide why you or your loved one hoards. Skill-building exercises help you determine how to beat the hoarding problem by addressing issues that often underlie compulsive saving. Even though this is fundamentally a self-help book, it contains a frank discussion about the need for professional help in some hoarding cases, how to find it, and what medications have been proven effective for savers.

  • Sales Rank: #385740 in Books
  • Brand: Brand: New Harbinger Publications
  • Published on: 2004
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x 6.00" w x .50" l, .50 pounds
  • Binding: Paperback
  • 160 pages
Features
  • Great product!

From Publishers Weekly
The Collyer brothers, with their bicycle-, chandelier- and newspaper-packed Harlem apartment, may have been the most famous sufferers of compulsive hoarding (see the recent biography Ghosty Men by Franz Lidz), but this syndrome affects several million Americans, according to the authors of this excellent, easy-to-understand handbook. The authors, two psychologists and a psychiatrist, all experts in treating forms of obsessive-compulsive disorder, define the syndrome as "the acquisition and saving of possessions that have little or no value" or a value perceived only by the hoarder, who "has great difficulty" discarding the objects. The book offers case histories showing how damaging the syndrome can be to one’s relationships and quality of life, self-assessment exercises and, most usefully, a discussion of treatment options, from self-help strategies using cognitive therapy to outside professional help.
Copyright � Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Review

From the Publisher
Readers learn to:

� Differentiate between hoarding and collecting

� Recognize their type of hoarder

� Overcome the fear that causes one to hoard

� Stop the clutter from taking over

Three compulsive hoarding experts team up to provide the first research-based cognitive behavioral treatment plan to help compulsive hoarders learn to recognize the problem, understand the treatment options, and learn gentle techniques to free themselves of this life-threatening disorder. The first book ever written for compulsive hoarders and their friends and families. This book is written by the foremost researchers and clinicians working with compulsive hoarders

Most helpful customer reviews

222 of 230 people found the following review helpful.
This book saved my life!
By Gwendolyn Thompson
Overcoming Compulsive Hoarding saved my life! It's the first book I have read that accurately addresses why I hang onto things and why I can't let them go. I have had to deal with clutter all my life. I have felt shame and been hard on myself until I read the book. The invaluable insights in this book have helped me to clear the clutter. Once I know why I'm hanging onto something it's much easier to let go of it! Other organizational books have not worked for me because the books assume I have no emotional obstacles to becoming organized. This book is a must-read! I am very pleased with this book and recommend it to anybody, hoarder or non-hoarder, who has difficulty with clutter and organization.

412 of 436 people found the following review helpful.
Unique but flawed
By Paulo C. Rios Jr.
There is no other book like this. I have seen people who suffer from compulsive hoarding and how hard it is for them to even recognize what affects them and their families. This short book was long overdue. The authors are certainly knowledgeable. They enlisted some of the best authorities in the field. Yet this book is a major disappointment. The ingredients were all there but all is lost. They miss key points about the nature of hoarding.

They do mention well-known cognitive strategies (all or nothing thinking, overgeneralization, jumping to conclusions and others). They try to apply them in "flash cards" of the kind "I am a loser because my house is such a mess". Yet most hoarders do not feel this way. They feel attached to their possessions, they can't throw them away. They do not see themselves as losers per se, but strangely attached to things that they know they must depart from but that they can't.
The authors use "flash card" with statements such as "I can't throw away these plastics bags" to be put against "should statements" and "jumping to conclusions". Yet the real thing behind what hoarders feel is not what these techniques show. The real thing is called fear. These techniques do not address them.

Later in the chapter, "cleaning the clutter", a lot of time is devoted to tell hoarders that they should separate their stuff in the categories "save", "discard" and "handle immediately". A typical hoarder will put most of his/her stuff back in the "save" category! The authors ask them to apply cognitive strategies explained in an earlier chapter without actually going through them for each type of possession and addressing the fear that hoarders feel. A great technique used by psychologist Foa (E/RP, exposure with response prevention) is only later applied to acquiring and not to discarding. So anxiety levels will still be high while discarding since the fear is not directly addressed by the typical cognitive strategies. Decision making is a key issue and apart from the general cognitive strategies, little else is done in this to book to help.

There are clear contradictions as well:
- In page 116, it says "if a magazine was printed six or more months ago, you should probably recycle or discard it. Obviously, there are exceptions to the rule, like a newspaper that features a story about something dear to you" (a hoarder will certainly find that 95% belongs to this category!).
- In the next page it says, "it is better at the beginning to go to an extreme and discard all magazines and newspapers until your hoarding behaviors are under better control. Then, if you can throw out newspaper daily, there will be no need to keep them around for six months."
--> To keep it for 6 months or not to keep it?? To discard all or not to? Two pages are devoted to newspaper and magazines, things that most hoarders keep. And in two pages, a few contradictions are offered to whom can't make a decision easily.

What is most sad is that this book could be of great help since there is simply no other book in the market devoted to compulsive hoarding alone. But, with these serious flaws, little hope is unfortunately there.

153 of 159 people found the following review helpful.
This book saved me from eviction
By --
A few months ago, I was given 30 days to get my apartment to the point that it was not a fire and health hazard. I have struggled all of my adult life with hoarding and compulsively buying everything imaginable. I could barely even walk around in my place. I have read many other books, had professionals come in and "organize me", taken medication, been in therapy and nothing worked until I got this book. Not only have I gotten the physical clutter under control, my life is less cluttered and my quality of life has drastically improved. A must read for hoarders and friends and relatives of hoarders

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Sabtu, 23 Februari 2013

[W158.Ebook] Get Free Ebook That Which is Born of the Spirit: The New Creation in Christ, by T. Austin-Sparks

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That Which is Born of the Spirit: The New Creation in Christ, by T. Austin-Sparks

We have all been born naturally or we should not be here, but it takes experts and specialists a whole lifetime to fathom what has been born. It is a line of the closest and most continuous study, is anatomy and physiology, and we are learning more and more how little we do know about ourselves after all - the workings of this human machine, all the inwards and outwards. We know very little about it after all, but it is very important that we should know something about it, that we should know the nature and the laws of our being. And we are discovering how necessary it is to be acquainted at least with some of the greater laws of our physical life in order that there may be a maintenance of life in fulness and health and enjoyment, and ignorance in that realm may lead to a good deal of suffering, weakness and loss.

Now, if that is true in the physical realm, it is also true in the spiritual realm. We are in the spiritual realm and while we may rejoice in the fact that we have been born anew from above of the Spirit and that there is a new creation in Christ Jesus where we are concerned, there is a very great deal of ignorance prevalent amongst the Lord's people as to the constitution, nature, and laws of their spiritual life. I am convinced that this is the reason for a very great deal of weakness and failure, spiritual limitation, and loss. While we do not want to be occupied with ourselves but with the Lord, it is very important that we should know exactly what we are and how we are constituted and what are the laws of our new life. If we get that settled as fully as possible, once and for all, we should be on the other side of a very great deal of our trouble. And so we are thus occupied not so much with the fact, as with the nature of that which is born of the Spirit.

  • Sales Rank: #713674 in eBooks
  • Published on: 2014-07-04
  • Released on: 2014-07-04
  • Format: Kindle eBook

Most helpful customer reviews

1 of 1 people found the following review helpful.
You'll be astounded!
By Amazon Customer
Anyone who truly wants to build a relationship with God needs to get everything Austin-Sparks.
He pulls you from the earth and takes you into the Heavenlies.
he teaches you to stay in and operate from the spirit realm

0 of 0 people found the following review helpful.
I really love his writings
By Regrets
All of T. Austin Sparks books are well written, but one needs to be able to read King James English as all of his quotes are from the original King James Version of the Bible. The reader needs to be aware that he also uses words above a 5th or 6th grade reading level. All of that said he approaches many subjects from a different perspective than what we may get in our churches. I really love his writings.

0 of 0 people found the following review helpful.
Outstanding!
By Malcolm and Janet Ford
This is T. A-S at his finest. How the word 'church' (ekklesia) has been represented over the centuries as an earthly institution when it is a totally heavenly organism in origin and destiny. Malcolm,New Plymouth, NZ.

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Selasa, 19 Februari 2013

[H252.Ebook] Fee Download The Art of Language Invention: From Horse-Lords to Dark Elves, the Words Behind World-Building, by David J. Peterson

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The Art of Language Invention: From Horse-Lords to Dark Elves, the Words Behind World-Building, by David J. Peterson

An insider’s tour through the construction of invented languages from the bestselling author and creator of languages for the HBO series Game of Thrones and the Syfy series Defiance

From master language creator David J. Peterson comes a creative guide to language construction for sci-fi and fantasy fans, writers, game creators, and language lovers. Peterson offers a captivating overview of language creation, covering its history from Tolkien’s creations and Klingon to today’s thriving global community of conlangers. He provides the essential tools necessary for inventing and evolving new languages, using examples from a variety of languages including his own creations, punctuated with references to everything from Star Wars to Michael Jackson. Along the way, behind-the-scenes stories lift the curtain on how he built languages like Dothraki for HBO’s Game of Thrones and Shiväisith for Marvel’s Thor: The Dark World, and an included phrasebook will start fans speaking Peterson’s constructed languages. The Art of Language Invention is an inside look at a fascinating culture and an engaging entry into a flourishing art form—and it might be the most fun you’ll ever have with linguistics.

  • Sales Rank: #17898 in Books
  • Brand: David J Peterson
  • Published on: 2015-09-29
  • Released on: 2015-09-29
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x .80" w x 5.50" l, 1.00 pounds
  • Binding: Paperback
  • 304 pages
Features
  • The Art of Language Invention From Horse Lords to Dark Elves the Words Behind World Building

Review
“David Peterson's language work transformed our show, investing it with a sense of reality and history that would have been impossible without him. There's nothing like the real thing, and David Peterson is it. This fascinating book will not only illuminate the task of language creation--it will make you look at your own language in a whole new way.”
—David Benioff and D.B. Weiss, co-creators of HBO's Game of Thrones 

“George R. R. Martin created Khal Drogo, and David Benioff and Dan Weiss believed in me, but David Peterson gave me life.”
—Jason Momoa

“David J. Peterson’s The Art of Language Invention accomplishes a minor miracle in taking a potentially arcane discipline and infusing it with life, humor and passion.  It makes a compelling and entertaining case for language creation as visual and aural poetry.  I cherish words, I love books about words and for me this is the best book about language since Stephen Fry’s The Ode Less Traveled.  And, best of all, there’s a phrasebook!”
—Kevin Murphy, co-creator and showrunner of Syfy’s Defiance

“If you want to know how someone makes up a language from the ground up, you'll find out how in this book—and the glory of it is that along the way you'll get the handiest introduction now in existence to what linguistics is. In fact, read this even if you DON'T feel like making up a language!”
—John McWhorter, author of The Language Hoax

“Accessible, entertaining, and thorough, Peterson has created an invaluable resource for authors, dedicated fans, and casual enthusiasts. This is the book I wish I'd had when I started writing.”
—Leigh Bardugo, New York Times bestselling author of Shadow and Bone

“This book not only lucidly ushers language invention into its own as an art form, it's also an excellent introduction to linguistics.”
—Arika Okrent, author of In the Land of Invented Languages
  
"Mr. Peterson illuminates the ins and outs of being a professional developer of “constructed languages”...Language invention requires not only technical know-how but also playfulness and a degree of historical savvy.”
—The Wall Street Journal

About the Author
David J. Peterson began creating languages in 2000, received his MA in Linguistics from the University of California, San Diego, in 2005, and cofounded the Language Creation Society in 2007. He has created languages for HBO’s Game of Thrones, Syfy’s Defiance and Dominion, the CW’s Star-Crossed, and Thor: The Dark World. He is also the author of Living Language Dothraki.

Excerpt. © Reprinted by permission. All rights reserved.

When I was a kid, the original Star Wars trilogy had just completed its initial run in theaters, and Star Wars was everywhere. I had a toy sand skimmer (which I broke), a toy TIE fighter (which I also broke), and a read-along Return of the Jedi picture book with accompanying record which would play the sound of a ship’s blaster when you were supposed to turn the page. (If you’re too young to be familiar with record players as anything other than “vinyl,” type “Pac-Man record read along” into YouTube to familiarize yourself with the concept. That was my childhood.)

In short, aside from He-Man, Star Wars was pretty much the thing if you were a child of four in 1985. At that age, when I watched movies, I didn’t really pay careful attention to the dialogue, and wasn’t able to follow stories that well. Consequently when the Star Wars trilogy was rereleased in 1995, I rewatched it eagerly. Once I got to Return of the Jedi, I was struck by what I thought was a particularly bizarre scene. In the beginning of the movie, Princess Leia, disguised as a bounty hunter, infiltrates Jabba the Hutt’s palace in order to rescue Han Solo. She pretends to have captured Chewbacca, and engages Jabba to negotiate a price for handing him over. In doing so, Leia pretends to speak (or evidently does speak, via some sort of voice modification device) a language Jabba doesn’t. He employs the recently acquired C-3PO as an intermediary. As near as I can tell, this is how the exchange goes (transcription is my own; accent marks indicate where the main stress is):

LEIA: Yaté. Yaté. Yotó. (SUBTITLE: “I have come for the bounty on this Wookiee.”)

C-3PO relays this message and Jabba says he’ll offer 25,000 for Chewie.

LEIA: Yotó. Yotó. (SUBTITLE: “50,000, no less.”)

C-3PO relays this message and Jabba asks why he should pay so much.

LEIA: Eí yóto.

The above isn’t subtitled, but Leia pulls out a bomb and activates it.

C-3PO: Because he’s holding a thermal detonator!

Jabba is impressed by this and offers 35,000.

LEIA: Yató cha.

The above isn’t subtitled, but Leia deactivates the bomb and puts it away.

C-3PO: He agrees.

Order is restored.

I want you to remember that I was in seventh or eighth grade at the time that I was rewatching this. I was not a “language” guy at that point by any stretch of the imagination. I never dreamed that a human could invent a language, and even if I had, I probably wouldn’t have been able to come up with a good reason for one to do so. Furthermore, up to that point, I’d never studied a second language, and the prospect filled me with dread (I had enough trouble understanding my Spanish-speaking relatives who always spoke too fast for me).

But even so, I knew something was wrong here. How on earth does Leia say the same thing twice and have it mean something different the second time? Even if we take C-3PO for an unreliable translator (he is quite loquacious, after all), that applies only to the last two phrases. How could one expect to have an unreliable subtitle? Subtitles are supposed to lie outside the world of the film. If you can’t rely on a subtitle provided by the film’s creators, how can you rely on anything?

In trying to resolve this conflict, it occurred to me that the only plausible explanation for this aberrant phenomenon is that the language itself was correct, but worked differently from all other human languages. In our languages (take English, for example), a word’s meaning can be affected by the context it’s in, but if you control for context, the word will always mean the same thing. Thus, if you’re telling a story about your dog, and you use the word “dog” several times throughout the story, it will still refer to a fur-covered animal that barks and covets nothing so highly as table scraps. This is fairly standard and uncontroversial.

What would happen if a language didn’t do that, though?

Take, for example, the word I have transcribed as yotó above. What if it changed its meaning over the duration of a discourse? Naturally, one would have to define a discourse, but I think it’s fair to consider this conversation featuring Leia, Jabba, and C-3PO a single discourse, so we can leave that concern aside for the moment. What if the word yotó has several definitions? Specifically, what if the first time it’s used in a conversation it means “this wookiee”; the second time it’s used it means “50,000”; and the third time it’s used it means “no less” (or the rough equivalent of those)? The same, then, applies for all other words in the language. That would resolve the ambiguity. How could one possibly use such a language? Well, they are all aliens (Star Wars, recall, takes place a long time ago in a galaxy far, far away). Maybe they’re just better at this stuff than humans. Why not?

This was where my brain went while rewatching Return of the Jedi for the first time. At some future date I may have shared this with a friend, but if I did, the response was likely an eyeroll. This quirk was just an unimportant detail in an otherwise fantastic movie. Why bother about it?

And so that’s pretty much where my thought experiment died. I didn’t take it any further, and no one was really interested, so I didn’t think about it again until college.

But that, of course, was a different era—a pre-internet era. Who does a teenager have to share news with other than their family, friends, and teachers? Who do they come in contact with? In 1995, that’s pretty much only the people who live near you and with whom you interact on a daily basis. How would you ever get ahold of anyone else? How would I have known that someone in the Bay Area, let’s say—less than five hundred miles away—had the same idea I’d had and also found that exchange interesting? In 1995, there was no way.

Then the internet happened.

Yes, the internet had been around for a while in 1995, but it wasn’t a thing that just anyone could have access to. America Online changed all that. Pretty soon it became a thing to race home from school and go into a chatroom with a bunch of random people to talk about . . . nothing. And that was how we entertained ourselves—for hours. What a world, where you could chat with someone who lived in Lancaster, Pennsylvania, about how Soundgarden rules!

As it turns out, though, I wasn’t the only person to pick up on this. Another conlanger I’d later meet at the First Language Creation Conference, Matt Haupt, asked exactly the same question, and devoted a blog post to deconstructing that scene specifically. And we weren’t the only ones. The Ubese language has its own entry on the Wookieepedia (yes, that’s a thing) where contributors have written up an entire backstory for the language that is, first of all, not a full language, and, ultimately, poorly constructed and not worthy of serious consideration.

So let me bring back David Benioff and Dan Weiss’s question to me on the night of the Game of Thrones premiere. If the actors speaking Dothraki or High Valyrian or Castithan or whatever make a mistake, who would know but the creator? Who would care? The truth is probably one in a thousand people will notice, and of those who do, maybe a quarter will care. In the 1980s that amounts to nothing. In the new millennium, though, one quarter of 0.001 percent can constitute a significant minority on Twitter. Or on Tumblr. Or Facebook. Or Reddit. Or on whatever other social media service is currently taking the internet by storm. To take a recent (at the time of writing) example, there was Frozen fan fiction and fan art circulating the internet before the movie had even premiered—and when it did premiere, it took a matter of hours for everyone to learn that Kristoff’s boots weren’t properly fastened, and that this was a big deal as it was disrespectful to the Sami people and their culture.

One of the most significant things about our new interconnected world is that the internet can amplify a minority voice exponentially. Yes, few people, comparatively speaking, will care if an actor makes a mistake with their conlang lines. But thanks to the internet, those few people will find each other, and when they do, they’ll be capable of making a big noise. Every single aspect of every single production on the big and small screen is analyzed and reanalyzed the world over—and in real time. Every level of every production is being held to a higher standard, and audiences are growing savvier by the day. Language—created or otherwise—is no exception. In order to meet the heightened expectations of audiences everywhere, we have to raise the bar for languages created for any purpose. After all, if we don’t, we’ll hear about it.

Most helpful customer reviews

3 of 3 people found the following review helpful.
The Art of Language Invention educates and inspires as much as it entertains.
By Daniel M. Bensen
I spent a lot of time waiting in doctors’ offices last week, and I needed something to save me from boredom- and anxiety-induced insanity. What better choice could I have made than The Art of Language Invention by David J. Peterson?

Back when I was a kid, one of my favorite books was Dougal Dixon’s After Man: a Zoology of the Future. As an exercise in speculative biology, the book is responsible for maybe 90% of my enthusiasm about evolution, anatomy, and animal behavior. The fact that I know anything about those subjects at all is because I was enthusiastic for them, which puts Dixon to blame for most of what I know about the natural world. When I read The Art of Language Invention, the same thing happened with linguistics.

You can’t create a good made-up language without knowing about real languages. Through the lens of his invented languages and his experience using them, Peterson educates the reader about the forces that shape the way we speak—a practical gift wrapped in shiny packaging. Like all good speculation, The Art of Language Invention educates and inspires as much as it entertains.

And it IS entertaining, if for no other reason than the cat and onion jokes.

Go read it. I expect to see your new language on my desk by Monday.

5 of 5 people found the following review helpful.
I kind of want to teach an Intro to Linguistics course just so I can use this as the textbook
By BenJamin P. Johnson
If you’ve ever thought about creating a language, but didn’t know where to start, or you were intimidated or overwhelmed by the masses of terminology or “denseness” of other books, start here. If you’ve been creating languages for decades and just need a fresh perspective, a good laugh, or some commiseration, check this out. If you’re a linguistics student struggling with the basics, and your Intro to Linguistics reading is so dry you can’t choke it down, this could easily pass as a funny, entertaining, and fairly complete Linguistics 101 textbook, with some conlanging on the side.

2 of 2 people found the following review helpful.
How to be a conlanger.
By John E. Clifford
David Peterson is a genuinely nice guy, a trained linguist. a good writer and probably the most successful creator of languages today. All of this comes together in his book, which tells how to create a realistic language with copious examples from how Peterson actually did create Dothraki and the half dozen or so other languages now playing on your screen, large or small. While there is enough technical material to satisfy most conlanger needs, it is always wrapped in practical applications to make it palatable. The main theme is to grow your created language as much like a natural one as possible, starting in the past and working toward your target. As a result, most of standard linguistics finds their places along with a lot of less systematic advice -- the way things typically go, even if there is no rule about it. And each section is illustrated with an inside look at how its content applied in one of Peterson's languages, for the added buzz that may bring.

Now, I am an engelanger myself, with only minor excursions into artlangs of the sort that Peterson is describing, so I feel somewhat left out. But only somewhat, for Peterson's discussion of linguistics and the way languages actually work have great value for more outre' languages -- as something to NOT do, if nothing else, but mainly as a guide to a unified creation that might be learnable and speakable, while still performing some experimental task. Auxlangers, seeking an international auxiliary language, will be less left out, since they do look for some sort of naturalness along with universal appeal. And it is quite clear that Petersons's languages, however many people learn them to talk to khaleesi, are meant for their own cultures, not for ours.

If you are bitten by the desire to create a language, this is the easiest path to satisfying that urge> You may want to go to other works later, but this gives you the foundation and the direction you will need.

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Senin, 18 Februari 2013

[D677.Ebook] Fee Download The "Avengers": Movie Novelisation, by Julie Kaewert

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The "Avengers": Movie Novelisation, by Julie Kaewert



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A novelization of the film "The Avengers" - a 1990s remake of the television series featuring the characters John Steed and Emma Peel.

  • Sales Rank: #2182908 in Books
  • Published on: 1998-08-21
  • Original language: English
  • Binding: Paperback
  • 227 pages

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0 of 0 people found the following review helpful.
Fool Me Three Times...
By Thomas F. Howard
The Avengers by Julie Kaewert based on the screenplay written by Don Macpherson (1998, 227 pages) – I never learn. When the movie came out based on my favorite childhood characters, John Steed and Emma Peel, I ran to see it and came out confused and disappointed. What had happened to my heroes?

Being the idiot I am, I rented the movie when it came out. The movie couldn’t really be as bad as I thought, right? It was worse than I remembered. Giant Grateful Dead teddy bears? The original James Bond, Sean Connery, chewing up the scenery?

You’d think I’d learn, but I picked up the book, still trying to give the retrofit another chance. Maybe the director ruined it.

Nope, the book was absolute swill.

Not only were the main characters acting very unSteed and unPeel-like, but the plot was silly (weather control) and there was way too much romance for the Avengers. The author seemed to have a good handle on Mrs. Peel, the Diana Rigg version, but Steed was such a horn-dog that I could not see Pactrick McNee in my mind as I was reading it. Through most of the book he kept being distracted by Mrs. Peel’s beautify and skintight cat suit.

One of the great things about the British television show was that they were equals who respected each other for their abilities and their skills at outwitting the bad guys. They really were a lot alike, although I always felt Diana Rigg’s Peel was more of a bodyguard and John Steed was the brave brains.

In this book, Mr. Steed worries more about his bowler and the way the sun glints off Mrs. Peel’s auburn hair (at the most ludicrous times). Every discovery they make is accidental. Everything they figure out is pretty much handed to them by the bad guys. There’s an evil Mrs. Peel clone running around trying to convince the ministry that Mrs. Peel is a threat, and somehow she’s gone from being a bohemian industrialist to being a meteorologist? Dr. Peel? What was the point of that?

Some authors who work with screenplays actually improve the story. Alan Dean Foster’s Abyss is much better than the move. Ms Kaewert adds little to the movie except the odd romance between the two main characters. Mr. Steed seems like a lovesick puppy while Dr. Peel is almost fondled by a tartan-wearing teddy bear posing as the mastermind. This was a bad movie so I guess it’s only logical that the novelization of it would be equally bad. I jut wish it hadn’t been worse.

One for the trash bin.

0 of 0 people found the following review helpful.
Five Stars
By Amazon Customer
Unique book.

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Selasa, 05 Februari 2013

[N550.Ebook] Free PDF How To "Ace" The Physician Assistant School Interview: From the author of the best -selling book, The Ultimate Guide to Getting Into Physic

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How To "Ace" The Physician Assistant School Interview: From the author of the best -selling book, The Ultimate Guide to Getting Into Physic



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Give yourself the Competitive Edge at the Physician Assistant School Interview How to "Ace" the Physician Assistant School Interview is a unique, step-by-step blueprint covering the entire PA school interview process. Written by Andrew Rodican, a former member of the Yale University School of Medicine PA Program Admissions Committee, and author of the best- selling book, The Ultimate Guide to Getting Into Physician Assistant School, How to "Ace" the Physician Assistant School Interview covers the entire interview process. It will boost your confidence, arm you with knowledge, and you'll know exactly what to expect: Master strategies to answer the toughest PA school interview questions: Behavioral Questions Traditional Questions Ethical Questions Situational Questions Illegal Questions Develop your Unique Selling Proposition (USP) that will help you stand out from the crowd and create a positive impression on the admissions committee Understand the PA school interview scoring system and how to target your interview answers to meet the scoring criteria. Prepare answers to over 100 key interview questions. If you plan to stand out from the crowd at your PA school interview, this book is a must buy!

  • Sales Rank: #23366 in Books
  • Brand: Brand: AJR Associates
  • Published on: 2011-08-30
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .48" w x 6.00" l, .65 pounds
  • Binding: Paperback
  • 212 pages
Features
  • Used Book in Good Condition

About the Author
Andrew J. Rodican, PA-C, is a former member of the Yale University School of Medicine Physician Associate Program Admission Committee. He has interviewed many PA applicants and read and evaluated hundreds of PA school applications. He is a recipient of the Yale University School of Medicine 1994 Medical Writing Award. He is the developer of the seminar Getting Into the PA School of Your Choice, which he delivers to hundreds of people across the country every year. His broad knowledge of the admissions process maximizes your potential for acceptance into the PA school of your choice. In addition to this book, Andrew is the author of "The Ultimate Guide to getting Into Physician Assistant School."

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1 of 1 people found the following review helpful.
Great straightforward read! It helped with my interview, and I wish I had gotten it sooner.
By Sherry
A fast read that provided valuable tips and feedback in such a succinct and straightforward manner. I was able to read through the book a week before my PA interview and felt that it helped immensely! However, if I had known about this book earlier, I would have definitely gotten it in advanced, as I could have practiced the material suggested in the book more. Nonetheless, the book still managed to help me prepare with what little time I had before the interview. This book seems to cover all potential topics that may be brought up during an interview. It has tons of sample interview questions and gives "best, mediocre, and weak" sample answers. The author even goes further to explain why certain answers are better than others. I learned so much more about how to phrase my own interview responses. If you are the type of person who learns best by example then this is the book for you!

About the first 25 pages of the book gives you insight about how a PA interview is typically structured and what the the schools are looking for. The rest of the book is full of example interview questions with sample answers, so you can learn what a well structured answer looks like.
The last 50 pages are full of resources on PA programs and associations within the nation as well as how you can contact them. Personally I thought that this was unnecessary since any of this can be found through a simple internet search. Also, I'm not quite sure how these contacts help with interviewing at all... However, some people might like having everything organized in one place as they are working on their applications.

Overall, I would highly recommend this book. I had two interviews prior to getting the book and felt that I was always caught off guard somehow. After reading this book, I felt more prepared and really did "ACE" the last interview!

1 of 1 people found the following review helpful.
Useful for PA interviews but not much detail about group ...
By Panda man
Useful for PA interviews but not much detail about group interviews which was a bummer. You'll have to research that separately online. Still highly recommended though for people not familiar with interviews. I had an interview coach before and it had very similar concepts as well. However this is only good for traditional interviews, which still didn't help me overcome my actually delivery of my answers. It's hard to be an introvert with a speech disorder, so my advice to you is don't let it kill your self esteem if you don't do as well as you hoped. This book isn't a sure-all thing but can help shape your thinking of answers. I got into a better school with an MMI instead and a big scholarship to boot. This book helped with the one traditional question.

0 of 0 people found the following review helpful.
Better to OVER prepare than under!
By Greenor
It's better to be more prepared than under prepared and that is the only reason why I would encourage you to purchase this book. I've had two interviews so far and neither of them asked the majority of the questions from the book. With that being said, if you purchase the book I encourage you to focus on the traditional and situational chapters.

PROS:
- The book is easy to read and well organized,
- Each chapter provides concrete interview questions one should prepare for along with a best answer to each,
- The book's emphasis on personal connection being essential to doing well in the interview.

CONS:
- Book should be updated; doesn't include information on how to prepare for a group interview as you are more than likely going have one (I did, twice), and it also doesn't let students know that they may be expected to participate in group activities (again, I also had to do this),
- Long, long pointless resource list at the end of the book that took up nearly a quarter of the book.

Good luck!

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[H864.Ebook] Get Free Ebook A Primer for Financial Engineering: Financial Signal Processing and Electronic Trading, by Ali N. Akansu, Mustafa U. Torun

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A Primer for Financial Engineering: Financial Signal Processing and Electronic Trading, by Ali N. Akansu, Mustafa U. Torun

A Primer for Financial Engineering: Financial Signal Processing and Electronic Trading, by Ali N. Akansu, Mustafa U. Torun



A Primer for Financial Engineering: Financial Signal Processing and Electronic Trading, by Ali N. Akansu, Mustafa U. Torun

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A Primer for Financial Engineering: Financial Signal Processing and Electronic Trading, by Ali N. Akansu, Mustafa U. Torun

This book bridges the fields of finance, mathematical finance and engineering, and is suitable for engineers and computer scientists who are looking to apply engineering principles to financial markets.
The book builds from the fundamentals, with the help of simple examples, clearly explaining the concepts to the level needed by an engineer, while showing their practical significance. Topics covered include an in depth examination of market microstructure and trading, a detailed explanation of High Frequency Trading and the 2010 Flash Crash, risk analysis and management, popular trading strategies and their characteristics, and High Performance DSP and� Financial Computing. The book has many examples to explain financial concepts, and the presentation is enhanced with the visual representation of relevant market data. It provides relevant MATLAB codes for readers to further their study. Please visit the companion website on http://booksite.elsevier.com/9780128015612/

  • Provides engineering perspective to financial problems
  • In depth coverage of market microstructure
  • Detailed explanation of High Frequency Trading and 2010 Flash Crash
  • Explores risk analysis and management
  • Covers high performance DSP & financial computing

  • Sales Rank: #1159387 in Books
  • Published on: 2015-04-08
  • Released on: 2015-03-25
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .36" w x 6.00" l, .55 pounds
  • Binding: Paperback
  • 156 pages

About the Author
Ali N. Akansu received the BS degree from the Technical University of Istanbul, Turkey, in 1980, the MS and Ph.D degrees from the Polytechnic University, Brooklyn, New York in 1983 and 1987, respectively, all in Electrical Engineering. He has been with the Electrical & Computer Engineering Department of the New Jersey Institute of Technology since 1987. He was an academic visitor at David Sarnoff Research Center, at IBM T.J. Watson Research Center, and at GEC-Marconi Electronic Systems Corp. He was a Visiting Professor at Courant Institute of Mathematical Sciences of the New York University performed research on Quantitative Finance. He serves as a consultant to the industry. His current research and professional interests include theory of signals and transforms, financial engineering & electronic trading, and high performance DSP (FPGA & GPU computing).

Mustafa U. Torun received his BS and MS degrees from the Dokuz Eylul University, Turkey, in 2005 and 2007 respectively, both in electrical and electronics engineering. He received his Ph.D degree from the New Jersey Institute of Technology, Newark, NJ, in 2013, in electrical engineering. He published several papers and served as a peer reviewer in many journals and conferences in a wide range of topics including multi-resolution signal processing, statistical signal processing, pattern classification, neural networks, genetic algorithms; their applications in quantitative finance, electronic trading, high frequency trading, digital communications, digital imaging, biomedical engineering; and their implementations on general purpose graphics processing units (GP-GPU) and field programmable gate arrays (FPGA). His current interests include distributed systems, distributed algorithms, cloud computing, and massively parallel computing.

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Minggu, 03 Februari 2013

[E443.Ebook] Ebook The Writer's Handbook: Grammar for Writing, by Dona J. Young

Ebook The Writer's Handbook: Grammar for Writing, by Dona J. Young

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The Writer's Handbook: Grammar for Writing, by Dona J. Young

The Writer's Handbook: Grammar for Writing, by Dona J. Young



The Writer's Handbook: Grammar for Writing, by Dona J. Young

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The Writer's Handbook: Grammar for Writing, by Dona J. Young

The Writer's Handbook is a roadmap to correct and effective writing. This unique guide simplifies essential principles and orders them so that one concept builds on the next. By focusing on the sentence core, this book untangles grammar so that even complex concepts are easy to learn: as you improve your grammar and punctuation skills, you will improve your writing style as well as your confidence.

  • Sales Rank: #5561714 in Books
  • Published on: 2011-08-03
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.25" h x .95" w x 7.50" l, 1.58 pounds
  • Binding: Paperback
  • 420 pages

About the Author
Dona Young is a teacher, facilitator, and writing coach. In addition to teaching writing at Indiana University Northwest, she designs and facilitates corporate training programs on effective writing and communication. Young holds a B.A. from Northern Illinois University and an M.A. from The University of Chicago. She considers herself a life-long learner, believing that who we become is a result of what we learn. Young is the author of the following textbooks: Business Communication and Writng: Enhancing Career Flexibility, Writer's Toolkit Publishing, 2011; A Guide for Business Writing, Writer’s Toolkit Publishing, 2011; The Mechanics of Writing, Writer's Toolkit Publishing, 2008; Business English: Writing for the Global Workplace, McGraw-Hill Higher Education, 2008; and Foundations of Business Communication, An Integrative Approach, McGraw-Hill/Irwin, 2006. In addition, she is the author of the following trade books: Angry E-Mail: How to Put a Lid on It and Eleven Steps to Instantly Improve Your Writing, Writer’s Toolkit Publishing, 2011. And on the lighter side: The Little Prince Who Taught a Village to Sing (with Andrew’s Story), Writer’s Toolkit Publishing, 2009; The Princess and Her Gift: A Tale on the Practical Magic of Learning, Writer's Toolkit Publishing, 2009.

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