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John Chamberlain rose to prominence in the late 1950s with energetic, vibrant sculptures hewn from disused car parts, achieving a three-dimensional form of Abstract Expressionism that astounded critics and captured the imaginations of fellow artists. For a seven-year period in the mid-1960s, the artist abandoned automotive metal and turned to other materials. Motivated by scientific curiosity, Chamberlain produced sculptures in unorthodox media, such as urethene foam, galvanized steel, paper bags, mineral-coated Plexiglas and aluminum foil. Since returning in 1972 to metal as his primary material, Chamberlain limited himself to specific parts of the automobile, adding color to found car parts, dripping, spraying and patterning on top of existing hues to an often wild effect. In recent years, the artist has embarked on the production of a new body of work that demonstrates a decided return to earlier themes. John Chamberlain: Choices accompanies the Guggenheim Museum exhibition, which comprises 95 works, from the artist’s earliest monochromatic iron sculptures to the outsized foil creations he is working on today, encompassing shifts in scale, material and methods informed by the collage process that has been central to Chamberlain’s working method. This fully illustrated exhibition catalogue includes essays by Susan Davidson, Donna De Salvo, Dave Hickey, Adrian Kohn and Charles Ray with an extensive chronology by Helen Hsu and a lexicon by Don Quaintance.
- Sales Rank: #358381 in Books
- Published on: 2012-03-31
- Original language: English
- Number of items: 1
- Dimensions: 11.40" h x 1.00" w x 9.80" l, 3.74 pounds
- Binding: Hardcover
- 248 pages
Most helpful customer reviews
7 of 7 people found the following review helpful.
Chamberlain Crushes
By Grady Harp
John Chamberlain (1927 -2011) was an American sculptor who manipulated crushed car parts into abstract clusters that are both gorgeous and terrifying. Thos monograph commemorates an exhibition at the Guggenheim and in many ways captures the essence of that installation as installed on the Guggenheim Museum's curved ramps. The works include those made from foam, aluminum foil, paper and plexiglass, and emphasizes the collage process behind the metal sculptures rather than the material that went into them. Chamberlain was an ace colorist, who used the scrap yard as his palette. He made deforming big chunks of automobiles look as easy as crushing a soda can or scrunching up a piece of paper. The suggestion of sudden violence, whether car generated or not, gives his art much of its power.
Curator Susan Davidson deftly navigates Mr. Chamberlain's many contradictions. He was a trained hairdresser who got into drunken street fights, an East Coaster whose work seemed steeped in California car culture, a large-scale sculptor who periodically turned out twee tabletop constructions. The monograph's presentation make clear why Chamberlain's sculpture was hailed, almost from its inception, as a three-dimensional answer to Abstract Expressionist painting. But alongside early homages to peers like David Smith and de Kooning are collages, made from scraps of fabric and paper roughly stapled to painted fiberboard, that look back several decades to the German Dadaist Kurt Schwitters.
In addition to the pristine reproductions of these difficult to photograph works of sculpture are essays by Charles Ray (who elegantly summarizes the problem many viewers have with Chamberlain's late work - "The early work had topology rather than surface, compression rather than form, the later sculptures shifted from being made of cars to being made from cars."), Susan Davidson, Donna De Salvo, David Hickey and Adrian Kohn. The book it a true tribute to an inimitable artist, greatly missed. Grady Harp, May 12
1 of 1 people found the following review helpful.
Good color rendition
By wacassatt
Lovely book. Good color rendition. Good selection of his work. The writing is ok. Explanatory, somewhat insightful. Helped me in building an homage as a commissioned piece.
0 of 0 people found the following review helpful.
About the most important sculptor in modern times
By The photo book: "Vacant Eden"
My favorite sculptor and this book is full of pictures of some of his best work. I do abstract work myself and I can see the amazing fluidity with composition that this book showcases. At first the work looks like interesting crushed cars. But upon closer examination viewers can begin to understand how complex this sculptor's approach is to metal and shapes, how often organic shapes emerge from the work.
Of course, the work is best seem in the round when it is available.
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